On my "Do List" for February 5 was a Van Dyck crucifiction, a della Robia madonna, and the platforms they carry in the Easter pocession, all of which are in churches. Chiesa, church, is pronounced "k" then "e" as in yet, then "sah." There are many, of course, and some of these were other places of worship long before the christians arrived.
After leaving the waterfront we drove down narrow streets, some no wider than our single little mini could enter.
Mostly we followed the direction other cars were moving. I was behind a delivery van for a few blocks before we realized we were on the pedestrian walk way. We took the next left and I saw the front of a church with large statutes. This church was not my destination but the larger than life statutes on the facade seemed impressive. I found a place to park after many attempted failures on the waterfront across from the ferries. Behind us was the back side of the church, a shear wall of several stories, patched over in places, as if another building abutted it at one time and now his bare backside was exposed.

Turns out this is the Church of the Purgatorio which houses what are called the Misteri, life-size wooden statutes depicting Christ stories. Some as old as the 18th century, these twenty platforms are carried through the streets of Trapani on Good Friday by various trade guilds: fisherman, saltworkers, etc. The pamplet says the human sacrifice of the people who carry the groups is symbolic of the sacrifice of Christ. One was dropped during a procession and had to be repaired. Just looking at the massive structures made of wood, I could see how that might happen.


This reminds me of the Indian procession we saw in Malasia which was also a penance. Men would fast and pray. Some would have alters strapped to their shoulders with fish hooks attached to their skin. Were they to fall, the fish hooks would dig deeply into the flesh. There was incense and strangley painted faces, some fainting and wailing. It was a terrible press of people to me but Greg had a wonderful time. I hear the same is true for Easter weekend in Trapani with a huge influx of people to participate in this ceremony which will occur when we are here.
Not far from this was the Cathedral of San Lorenzo where the Van Dyck crucifiction is supposed to be. I forgot all about it while admiring this impressive structure. We found the Church of Santa Maria di Gesu which has the Andrea della Robia, Madonna degli Angeli. While it is a beautiful statute, I was struck again how un-Jewish the Madonnas and Mary Magdeline's tend to look while most Christ statutes could pass as Jew.
Along the pedestrian shopping streets, we passed by several palazzos and dropped into one more church, name unknown, where I made an offering, in memory of my brother Pat, who died a year ago this week. Pat was an alter boy at St. Lawrence Church where he would have dropped a coin into the box and lit a candle. Here was a metal box with a slot for my euro coins where Greg pushed a button that lit the electric can.
You can just barely see the Trapani Madonna and Child below the rose window. The marble Madonna and Child is in the convent of the Sanctuary of our Lady of the Annunciation. (another post)